“Prey” is a searing and poignant film about survivors of violence


There are many motives to admiration in “Prey”. The thing that makes the latest installment in the “Predator” franchise stand out is Naru Amber Midthunder’s dream Comanche hunter. As per tradition, women serve as caregivers, with the responsibility of domestic duties. Naru believes in a different typical role. With her faithful Sarii as her dog Sarii at her side, she is much more relaxed when she is tracking Sarii. This is the way that she crosses paths with an enormous bipedal animal that believes in Earth as its personal preservation and humans as the ultimate prize. In the event that Naru seeks to inform her friends about the creature, they do not believe her.

A while ago, I vented my dissatisfaction about the incessant repetition of the stereotype of the white warrior woman within pop culture and lamented the lack of leading female characters for women who are of different races. The Midthunder character Naru is Midthunder, the warrior that Prey employs to protect her family and her friends, not to wield weapons of divine power or to serve an unrelated purpose. In the film the character tries to inform viewers that a fresh threat may be in the vicinity; they believe the tracks she’s found belong to bears. Instead of leaving that problem in their hands she sets out to take on the problem . . . solo.

Naru is aware of things like ways to collect and utilize herbs for medicinal purposes, as well as noticing things men don’t, like how the unusual butchers that are hunting the rest her party utilizes his tools as well as the ways they function. Nobody, except their brother Taabe (Dakota Beavers) has a keen interest in being able to assist Naru in completing the rite of passage known as Kuhtaamia which requires warriors to be able to successfully hunt and fight the prey they are hunting. She is determined and develops the latest weapons in order to bring about the change. She then learns to live her own lives.

Naru takes on the head of the alien with force and prudence. This is the exact kind of creature that almost killed Arnold Schwarzenegger’s commanding officer of special forces In “Predator”. This act also proves that this deadly alien is equal opportunities to defeat: neither Dutch nor Naru can physically overpower a Predator. Predators can only be defeated by a combination of intellect. Women have survived Predator encounters before, which is evident in the movie “Alien vs. Predator, ” in which Sanaa Lathan was able to overcome her predator partner with the help of an artic guide.

Raga’s Isabelle endures because she is in pursuit of one life. It’s not a pity for these ladies: Naru’s victory is only hers, gained through ingenuity, bravery, as well as nothing that could be explicated by prophecy and mystical luck.

The film was a precise work of creative preciseness. The film’s success was due to the choice of director of the film to shoot the film using versions that comprise the English and Comanche languages , to the determination of the film’s producer to convey the particulars of Comanche nation’s life in the th century This film has been created with care. The producers, the director and the cast put in a lot of effort to create an authentic film and respectful to Native culture.

What lessons can we take away

Raga’s Isabelle is an intelligent and robust young woman that uses her talents and determination to make it through a dangerous world. Naru is the sole one who’s won this win, and it was her persistence and dedication.